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Toggle navigation. No events available right now. Buy Tickets With Confidence. Let us keep you up to date with all the latest events via our weekly newsletter Sign up. Then a year or two later she went on to a bigger and bigger scale.

Everyone knew she was destined for greatness. As we were thinking about it, all I could hear in my head was the robot voice bit from Iron Man by Black Sabbath. I just imagined it saying 'mega', so I did an impression of that [laughs]. Then it took on an Afrobeat mash-up vibe. The original beat was more on a bass house tip, but it didn't have any magic about it.

It just sounded like the stuff we'd been doing a lot of previously. It was a really exciting track to make. But as soon as I heard Bashy, who features here, I knew he needed to be on the album - I was drawn to his voice.

Our record collection was full of some really great and rare stuff that we were drawing inspiration from, and you can see that here. We brought in some euphoric chords, and I wrote the big hook, which it was based around.

We were bursting with ideas at the time, so nothing took that long to come together in the studio. I didn't know he could sing! Then he bashed it out [laughs]. I just thought it was a really funny sound so I wanted to make a cool, weird, global house record with something like that in.

I just made sure I had the riff and then we built around that. I'm reliably told it was a panther. If I was to find out it was a recording of a tiger, I think I'd be pretty miffed [laughs]. We really wanted to bring a South American feel to proceedings so we put this track together for him to jump on. I knew he could sing and write so we got together and spent the day putting ideas down for it. It was a really fun track to make.

It helped polish the album off. We picked this one out and developed it. It was just a case of tweaking it, and then adding a vocal. I loved their albums. Just in the way they layered stuff. We brought in some Aphex Twin-inspired analogue drumming in, too.



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